Boredom : the literary history of a state of mind
(Book - Regular Print)

Book Cover
Average Rating
Published
Chicago : University of Chicago Press, [1995].
Physical Desc
xiii, 290 pages ; 24 cm
Status
Jerome Public Library - NF - Nonfiction Books
LIT.REFERENCE 820 SPA
1 available

More Details

Published
Chicago : University of Chicago Press, [1995].
Format
Book - Regular Print
Language
English

Notes

Bibliography
Includes bibliographical references (pages 273-280) and index.
Description
As malady or inspiration, boredom looms large in our culture. Forever egging the writer on to new feats of interest, new forms of poetry, new, more engrossing ideas and creations, boredom both haunts and motivates the literary imagination. This book offers a witty literary explanation of why this should be. Investigating boredom's imaginative functions during the last two and a half centuries, Patricia Meyer Spacks reveals the shifting cultural purposes served by this often lamented state. The figure of the "bore" entered the language in the eighteenth century, marking, Spacks suggests, a significant cultural shift. Until then boredom, though not explicitly classified as a sin, was to be strenuously resisted by spiritual endeavor. With the coming of the "bore," however, the responsibility for boredom shifted from the bored observer to whatever failed to hold his or her interest. Progress should banish boredom by making life more stimulating.
Description
What such a move meant, in society as well as literature, becomes clear in the astonishing range of fiction, poetry, conduct books, letters, and historical and sociological documents Spacks surveys. Here we see how the idea of boredom - as a point of reference or focus of opposition, as a means of characterization, repudiation, or definition, as social indictment or personal grievance - condenses a wide range of crucial meanings and attitudes. From the gendering of boredom (how women's lives came to embody both the threat of boredom and its overthrow) to canon issues (how "boring" becomes "interesting" with a sympathetic reader), the implications of the subject steadily enlarge.
Description
Moving from Samuel Johnson to Donald Barthelme, from Jane Austen to Anita Brookner, Spacks shows us at last how we arrived in a post-modern world where boredom is the all-encompassing name we give to our discontent. Her book, anything but boring, gives us new insight into the cultural usefulness - and deep interestof boredom as a state of mind.

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Citations

APA Citation, 7th Edition (style guide)

Spacks, P. M. (1995). Boredom: the literary history of a state of mind . University of Chicago Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Spacks, Patricia Meyer. 1995. Boredom: The Literary History of a State of Mind. University of Chicago Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Spacks, Patricia Meyer. Boredom: The Literary History of a State of Mind University of Chicago Press, 1995.

MLA Citation, 9th Edition (style guide)

Spacks, Patricia Meyer. Boredom: The Literary History of a State of Mind University of Chicago Press, 1995.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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